3/16/2021 0 Comments Sasha Xpander Ep Rar
Boards of Canada Sasha) by Bjrk recording of: Baja composer: Alexander Coe.Release information Barcode: 617465104923 Format: CD Length: 49:27 Additional details Type: EP Packaging: Jewel Case Status: Official Language: English Script: Latin Data Quality: Normal Labels Ultra Records UL1049-2 Release events United States 1999-10-19 Release group rating Release group reviews No one has reviewed this release group yet.Genres (none) Other tags (none) See all tags External links Discogs US: B0000296W7 Release group external links AllMusic Discogs Editing Log in to edit Open edits Editing history Last updated on 2018-09-25 21:19 UTC.Sasha continued his collaborations with BT on the track Ride, which was released as a single on Yoshitoshi Records and on BTs Movement in Still Life.
He is best known for his live events and electronic music as a solo artist, as well as his collaborations with British DJ John Digweed as Sasha John Digweed. He was voted as World No. DJ in 2000 in a poll conducted by DJ Magazine. He is a four-time International Dance Music Awards winner, four-time DJ Awards winner and Grammy Award nominee. Sasha Xpander Ep Rar Series Of MixHe partnered with John Digweed in 1993, touring internationally and producing a series of mix albums (compilations of other artists work played in a continuous fashion). Sashas remixing and production often combine electronic music genres, making it difficult for critics to pinpoint his musical style. As well as remixes and compilation albums, Sasha has produced three albums of original works: The Qat Collection in 1994, Airdrawndagger in 2002, and Scene Delete in 2016. His use of live audio engineering equipment helped popularise technological innovations among DJs who formerly relied on records and turntables. In 2007, he formed a record label with Renaissance Records called emFire, which is the exclusive outlet for his new music. Instead of continuing his schooling, Sasha moved to Bangor to live with his father and stepmother. Sashas stepmother forced him to take piano lessons which, although he disliked them at the time, he ultimately found to be beneficial to his music career. A local DJ at a club Sasha frequented announced that he was looking for other DJs to travel with him on a regional tour; Sasha volunteered and made his first live appearance in nearby Stockport. He recalled of his debut, Id never even touched a Technics: I thought the pitch control was the volume, I didnt even know where to plug my headphones in Im sure I was absolutely horrendous. With the assistance of another local DJ, Jon DaSilva, Sasha secured work at The Haienda, where he learned key mixing (matching melodic keys) from DaSilva and refined his ability to beatmatch (to synchronize the beats of two simultaneously playing records). Though he enjoyed playing at The Haienda, in 1990 Sasha left for a club called Shelleys Laserdrome in Stoke-on-Trent. There, he established part of his signature sound by mixing euphoric acid house music with Italian piano house and emotional a cappellas. ![]() While continuing to DJ, Sasha began to produce several of his own dance tracks. This, he later noted, was contrary to the career paths of many successful DJs, for whom it was more common to start out as producers. Upon signing a recording contract, he also set up an entire recording studio at the same time, which led to a painful learning curve at the outset. He released his first single, Appolonia, under the name BM:Ex (the name is short for The Barry Manilow Experience, a joke in reference to Sashas love of the piano), with producer Tom Frederikse on Union City Recordings. After DJing at Shelleys for several years, Sasha left his position because of increasing gang violence in and around the club. As a result of his growing reputation, Sasha was offered work in several London and Australian clubs. He accepted, instead, a spot in the DJ rotation at Renaissance, a club night started by Geoff Oakes at Venue 44 in Mansfield, England. With this success, Sasha began a series of records for Deconstruction Records with the singles Higher Ground and Magic (for which Digweed produced a remix) and The Qat Collection with Frederikse and vocalist Sam Mollison. Renaissance was pleased with their performances, and had the duo compile the triple-CD mix album Renaissance: The Mix Collection, releasing it on the clubs own Renaissance Records label. The album featured tracks from such artists as Leftfield, Fluke, and 2 Bad Mice, and original productions and remixes from Sasha and Digweed. The Mix Collection was released soon after Sashas departure from Renaissance in April 1994. Following his success at Renaissance, Sasha was again featured on Mixmag with the tagline SON OF GOD, though he resented the accolade. After touring together for two years, the duo became true superstars 6 with the release of their double CD Northern Exposure on mega-label Ministry of Sound. Around this time, Sasha began a recurring mentorship and partnership with fellow producer BT with the album Ima. As well as providing guidance for BT, Sasha produced a euphoric and introspective 42-minute rendition of the album which formed the centrepiece of the UK release and appeared as a bonus second disc on the US release. He continued to advance his own production work by pairing with vocalist Maria Nayler to produce the single Be as One, which reached 17 on the UK singles chart. To support the album, the duo toured internationally, and in the process helped to define the sound of trance music in the late 1990s. After extensive touring, Digweed and Sasha took up residency at New York City s famous Twilo nightclub, where they would DJ for the entire night. In 1998, the two released separate mix albums on the Boxed label, as part of the Global Underground series: Digweeds Global Underground 006: Sydney, and Sashas Global Underground 009: San Francisco, which drew from his experience touring on the West Coast of the United States. Both DJs formed their own record labels that year: Sasha created Excession Records and Digweed started Bedrock Records. Excession released fewer than ten records, the last in 1998; the experience, however, led Sasha to found the management agency Excession: The Agency LTD. Excession remains a booking agency for many DJs, including Hybrid, Nick Warren, and Steve Lawler. His success in pop music led him to score the music for the PlayStation video games Wipeout 3 and Gran Turismo. In 1999, Sasha and Digweed reunited in the studio to record their third edition in the Northern Exposure series, Northern Exposure: Expeditions. In addition to mixing and DJing, Sasha joined Charlie May of Spooky to produce the Xpander EP, 23 the title track of which many clubbers still view as one of the greatest trance tracks of all time. He used the title track as a centerpiece for Global Underground 013: Ibiza, his second Global Underground release.
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